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    sábado, 10 de novembro de 2012

    Elton John´s Diary 1968






    The Illustrated Cornflakes & Classics A musical history of Elton John
    by Paul Maclauchlan


    Copyright 1989, 2006 Paul Maclauchlan



    Permission granted to copy this information if credit is given






    1968

    Jan 1968
    UK COPYRIGHT REGISTRATION

    The Angel Tree 
    This song has not been released by any artist.



    Feb 1968
    UK COPYRIGHT REGISTRATION

    Tartan Coloured Lady 
    This song has not been released by any artist.




    Mar 1 1968
    UK 45
    Philips BF 1643 (did not chart)

    I've Been Loving You (3:19) 
    Here's To The Next Time (3:11) 
    The first Elton John record release.




    Top Pops No. 17, dated March 2 1968, contained a brief article under the headline: Problem: Who's The Star? 

    Another puzzler. This ... is Elton John, whose record is called I've Been Loving You, on Phillips. But the publicity gives equal credit to the writer, Bernard Taupin, and the producer, Caleb Quaye, all experienced and highly competent pop men. come to think of it, it's about time the men behind the discs had more credit. So good for Bernard and Caleb, as well as Elton.







    Apr 1968
    UK COPYRIGHT REGISTRATION

    And The Clock Goes Round 
    I'll Stop Living When You Stop Loving Me 
    Reminds Me Of You 
    Trying To Hold On To A Love That's Dying 
    When I Was Tealby Abbey 
    None of these songs have been released by any artist.

    Apr 1968
    Elton John begins recording demo versions of songs for music publisher Dick James Music. This includes some Roger Cook-Roger Greenaway songs.



    DICK JAMES
    http://en.wikipedia.org/wiki/Dick_James

    Dick James (12 December 1920 – 1 February 1986), born Leon Isaac Vapnick in the East End of London, was a music publisher and together with his son Stephen founded the DJM record label and recording studios, as well as (with Brian Epstein) The Beatles' publisher Northern Songs.





    Early days
    James sang with North London dance bands in his early teens, and was a regular vocalist at the Cricklewood Palais by the age of seventeen. He joined the Henry Hall band, and made first radio broadcast in 1940. Joining the Army in 1942, after World War II he continued to sing with top post-war bands, including Geraldo's. Later still, James was also a part-time member of The Stargazers, a popular early 1950s vocal group.



    He was the singer of the theme songs of The Adventures of Robin Hood and The Buccaneers, from British television in the 1950s, and was a friend and associate of renowned record producer George Martin.
    Switch to publishing



    James entered the music publishing business as his singing career tapered off. In 1958 he joined Sidney Bron Music as a song-plugger but decided to leave and open Dick James Music in 1961. In early 1963 he was contacted by Brian Epstein who was looking for a publisher for the second Beatles single "Please Please Me" and agreed an appointment for 11 o'clock the following morning. Having arranged a previous meeting at 10.00, Epstein left in disgust at 10.25 when the executive he was due to meet failed to appear and arrived at James's office at 10.40. Epstein apologised to the receptionist for being early and offered to wait until 11.00; nevertheless, the receptionist contacted James who promptly ushered Epstein into his office. Having heard the record and telling Epstein it was a number one James was invited by Epstein to publish and promote it. James then called Philip Jones, producer of the TV show Thank Your Lucky Stars, played the record down the phone to him and secured the band's first nationwide television appearance.[3] The pair subsequently established Northern Songs Ltd., with Beatles John Lennon and Paul McCartney, to publish Lennon and McCartney's original songs. (Fellow Beatles George Harrison and Ringo Starr were also signed to Northern Songs as songwriters, but did not renew their contracts in 1968). James's company, Dick James Music, administered Northern Songs.


    What initially began as an amicable working relationship between the Beatles and James disintegrated by the late 1960s: the Beatles considered that James had betrayed and taken advantage of them when he sold Northern Songs in 1969 without offering the band an opportunity to buy control of the publishing company. James profited handsomely from the sale of Northern Songs, but the Beatles never again had the rights to their own songs.
    During the 1960s he also handled Billy J. Kramer and Gerry and the Pacemakers.


    Later days
    James signed Elton John and his lyricist Bernie Taupin as untried unknowns in 1967 after his son Stephen, who had been working with his father since 1963, found Elton John using their recording studios late at night without permission. Stephen who had started the recording studios and opened a record production company called This Productions formed DJM Records in 1969. Indeed, all of John's early releases (up to 1976) were issued on the DJM record label. The label also carried Jasper Carrott, RAH Band and John Inman.

    John formed his own Rocket label in 1976, but in 1982, John was involved in a long court case with James about royalties. In June 1985, the British music magazine NME reported that John was suing James over the rights to his earlier material.

    Death

    James died in London of a heart attack in early 1986, at the age of 65. Dick James Music was acquired by PolyGram which was in turn acquired by Universal Music Group.
    British chart hits

    "Robin Hood"/"The Ballad of Davy Crockett" (1956) - number 14
    "Garden of Eden" (1957) - number 18




    May 7 1968
    SCOTLAND CONCERT - Bluesology

    Elton John's last Bluesology show.

    May 1968
    UK COPYRIGHT REGISTRATION

    Regimental Sgt Zippo 
    You'll Be Sorry To See Me Go (Elton John / Caleb Quaye) 
    None of these songs have been released by any artist.





    Jun 1968
    UK COPYRIGHT REGISTRATION

    Cry Willow Cry 
    If I Asked You 
    There Is Still A Little Love 
    None of these songs have been released by any artist.

    Jul 1968
    UK 45 - Dukes Noblemen
    Philips 326899

    Thank You For Your Loving (Elton John and Caleb Quaye) 
    aka Thank You For All Your Loving.
    Aug 1968
    UK 45 - Guy Darrell

    According to Tim Joseph's liner notes, Guy Darrell released a cover of an Elton John and Bernie Taupin song.
    Sep 1968
    UK COPYRIGHT REGISTRATION

    Baby I Miss You 
    Smokestack Children 
    The Girl On Angle Pavement 
    Two Of A Kind 
    None of these songs have been released by any artist.

    Oct 23 1968
    UK 45 - The Barron Knights
    Columbia DB 8485 (UK: #35; 4 weeks)

    #An Olympic Record
    [Elton John: piano] 


    Oct 28 1968
    ENGLAND RECORDING SESSION - Aeolian Hall, BBC London Studio 2

    +All Across The Havens 
    +Lady Samantha 
    +Skyline Pigeon 
    Elton John: piano, organ, vocals; Caleb Quaye: guitar; Boots Slade: bass; Malcolm Tomlinson: drums. Produced by: Aidan Day; Engineered by: Pat Whelan & Mike Robinson

    Broadcast November 3 1968 on The Stuart Henry Show

    Oct 1968
    UK COPYRIGHT REGISTRATION

    Bonnie's Gone Away 
    Going Home 
    Just An Ordinary Man 
    There's Still Time For Me 
    None of these songs have been released by any artist.

    Nov 3 1968
    UK RADIO - BBC - Stuart Henry Show
    Sundays 10am to noon, from Paris. $

    +All Across The Havens 
    +Lady Samantha 
    +Skyline Pigeon 
    Elton John: piano, organ, vocals; Caleb Quaye: guitar; Boots Slade: bass; Malcolm Tomlinson: drums.

    Recorded October 28, 1968, Aeolian Hall, BBC London Studio 2. Produced by: Aidan Day; Engineered by: Pat Whelan & Mike Robinson

    Audition panel notes (December 12): 'Male vocal in the 1968 feeling - thin, piercing voice with no emotional appeal... dreary songs... one key singer... pretentious material'





    Nov 27 1968
    UK RADIO - BBC - John Peel's Night Ride
    Wednesday nights midnight to 1am.

    +Lady What's Tomorrow 
    +Val-Hala 
    +Digging My Grave 
    This is the only known performance / recording of this song. Ray Coleman identifies it as a November 1968 Bernie Taupin and Elton John composition, but that date may be based on this performance. 
    +First Episode At Hienton 
    +The Scaffold 
    Elton John, solo.

    Recorded November 27, 1968, BBC London Maida Vale 4 studio. Produced by: Pete Carr

    The BBC performer contract says: 'sings and plays guitar'

    Dec 2 1968
    UK RECORDING SESSION - EMI Studio, Abbey Road The Bread And Beer Band

    The Dick Barton Theme (The Devil's Gallup) 
    Elton John played piano in the band. Other members: Bernie Calver (bass); Caleb Quaye (quitar), Roger Pope (drums) and two Jamaican percussionists Rolfo and Lennox.



    Dec 1968
    ENGLAND RECORDING SESSIONS - Dick James Studios, London

    Lady Samantha 
    All Across The Havens 
    Recording of songs for January 17 1969 release.
    Dec 1968
    UK COPYRIGHT REGISTRATION

    Digging My Grave 
    This song was performed once by Elton John, on the November 27 1968 broadcast of John Peel's Night Ride.

    Late 1968
    PORTUGAL EP $

    I'VE BEEN LOVING YOU (Elton John) 
    HERE'S TO THE NEXT TIME (Elton John) 
    The Angel Tree 
    Thank You For All Of Your Loving (Elton John / Caleb Quaye) 
    First release of an Elton John / Bernie Taupin song.

    Late 1968
    UK DEMO - Eurovision Song Contest Entry

    I Can't Go On Living Without You 
    The tune eventually places sixth in a six song competition.

    1968
    UK LP - I'VE BEEN LOVING YOU
    Philips label (no number)

    I Get A Little Bit Lonely 
    The Flowers Will Never Die 
    Rock Me When I'm Gone 
    Tartan Coloured Lady 
    I've Been Loving You 
    Sitting Doing Nothing (Elton John and Caleb Quaye) 
    Sing Me No Sad Songs 
    I Love You And That's All That Matters 
    The Tide Will Turn For Rebecca 
    A Dandelion Dies In The Wind 
    Hour Glass (Tony Collacott, Jack Mowbray and Breen Leoeuf 
    Baby I Miss You 
    Reminds Me Of You 
    When The First Tear Shows 
    Early tracks. Track listing is from the 1976 Appy Records LP I Get A Little Bit Lonely.
    Reports of this album are probably false. There is an unreleased album that Elton John appeared on, see the February 1969 entry for The Bread And Beer Band.

    1968?
    UK DEMOS / SONGS
    Other songs written by Elton John & Bernie Taupin, and others, prior to the recording of Empty Sky, but with no specific dates attached. These have been mentioned in interviews, articles or are part of the packaging included with the Captain Fantastic And The Brown Dirt Cowboy album.

    Mirrors Of My Mind 
    Lemonade Lake 
    Sarah's Coming (Back) (Paul Raymond and Tony Murray) 
    Not The Man I Used To Be 
    I'll Never Let You Go 
    S.O.S. 






    Chapter Menu
    1947 to 1965
    1966
    1967
    1968
    1969

    Elton John´s Diary 1967






    The Illustrated Cornflakes & Classics A musical history of Elton John
    by Paul Maclauchlan


    Copyright 1989, 2006 Paul Maclauchlan



    Permission granted to copy this information if credit is given


    1967

    Spring 1967



    Long John Baldry expands the group into a nine-piece band and moves to the cabaret circuit as the John Baldry Show.


    Jun 17 1967
    UK MAGAZINE - NEW MUSICAL EXPRESS




    The famous music paper advertisement by Ray Williams, soliciting talent for Liberty Records. Both Reg Dwight and Bernie Taupin answer the ad.




    Jun 1967
    ENGLAND AUDITION - Regent Sound Studios, Denmark Street, London

    +He'll Have To Go 
    +I Love You Because 

    Reg Dwight auditions for Liberty Records. Ray Williams declines to sign him, but suggests Reg might want to "try" writing songs with Bernie Taupin.


    Jul & Aug 1967
    Reg Dwight is signed through an agency to replace Eric Hine on keyboards for the band Simon Dupree And The Big Sound during a tour of Scotland. Reg played Hammond organ and Mellotron for £25 a week.

    Reg kept in touch with Ray Shulman after Eric Hine returned to the group. Simon Dupree And The Big Sound later recorded, but didn't release, the Elton John / Bernie Taupin song I'm Going Home. Elton contributed piano to that recording and also the unreleased songs Laughing Boy From Nowhere and Give It All Back. All were to eventually be heard on the Simon Dupree And The Big Sound CD release Part Of My Past on 


    April 27 2004.
    This information is from Peter O'Flaherty's web site Simon Dupree and The Big Sound. Peter was the bass guitar player in the group. Be sure to visit Peter's site to read his memoir of that summer and see pictures of young Reg Dwight on tour in Scotland!


    Jul & Aug 1967
    SCOTLAND CONCERTS - Simon Dupree And The Big Sound with Reg Dwight on keyboards




    Glasgow and area ( Three nights ) 
    Brodick, Island of Arran. Two days and nights, over a weekend. 
    Forte William 
    Inverness 
    Aberdeen 
    Stonehaven 
    Arbroath 
    Dundee 
    Perth 
    Stirling 
    Falkirk 
    Edinburgh ( Two nights ). 
    This information is from Peter O'Flaherty's web site Simon Dupree and The Big Sound.


    Sep 1967
    UK COPYRIGHT REGISTRATION

    A Dandelion Dies In The Wind 
    A Little Love Goes A Long Long Way (Reg Dwight) 
    Can't You See It (Reg Dwight) 
    If You Could See Me Now (Reg Dwight) 
    Mr Lightning Strikerman 
    Onetime, Sometime or Never 
    Scarecrow 
    Velvet Fountain 
    Watching The Planes Go By 
    Published by The Hollies publishing company, Gralto, ( subsidiary of Dick James Music) none of these songs have been released by any artist.

    Lyrics from Scarecrow: 
    "Like moths around a light bulb
    Your brain is still bleeding
    From visions and pictures of nature's young raincoat
    If only my eyes were not pinned to your table
    My arms would be grasping the lilies of summer."

    "A wooden construction...can you still see me Scarecrow." 

    Oct 5 1967
    UK 45 - Bluesology

    Since I Found You Baby 
    Just A Little Bit 
    The B-side is available on the LP ROCK LEGENDS - RARE TRACKS Polydor 2475 711 (Australia), also released in Germany. Caleb Quaye has joined the band at this point.














    Oct 1967
    UK COPYRIGHT REGISTRATION

    Countryside Love Affair (Reg Dwight) 
    I Could Never Fall In Love With Anybody Else (Reg Dwight) 
    I Get A Little Bit Lonely (Reg Dwight) 
    Where It's At (Reg Dwight / Nicky James) 
    Who's Gonna Love You (Reg Dwight / Kirk Duncan) 
    Witch's House (Reg Dwight) 
    Year Of The Teddy Bear 
    None of these songs have been released by any artist.

    Nov 17 1967
    Reg Dwight and Bernie Taupin are signed to DJM records.




    DJM Records (also known as Dick James Music) was the record label set up in the 1970s by British music publisher, Dick James, distributed by Pye Records in the UK and various other companies around the world, including the USA.

    The first release on the label was by Dave Sealy and entitled "It Takes A Thief", which had been adapted from the theme music from a popular television series for which a lyric was written. Frank Neilson was A&R manager from 1976 to 1979, before he moved to Polydor Records. Andy Stinton was Promotions Manager for several years before moving to Canada in 1980 to start his own communications company.

    Elton John was very prominent on DJM, except in the US and Canada where he was signed to MCA Records. He switched in 1976 to his own Rocket Records, before later deciding to sue DJM in the 1980s over the rights to his earlier (pre-1976) work.

    Other acts on the label in the 1970s included Ireland's Celtic rockers Horslips; Mr. Bloe, who included pianist Zack Laurence and harmonica player Harry Pitch; former Fleetwood Mac member Danny Kirwan, who recorded three albums for DJM, Second Chapter (1975), Midnight In San Juan (1976), and Hello There Big Boy! (1979); The Tremeloes, after their departure from CBS/Epic in 1974; singer-turned-actor Dennis Waterman; Johnny Guitar Watson, who had several successful singles and albums in the USA; and various session musicians who had worked with Elton John.

    Roger Hodgson – prior to joining Supertramp – issued a U.K. single on DJM under the name "Argosy". This record was also released on Congress Records (a division of Kapp Records) in the U.S..

    After Dick James' death in 1986, the DJM catalogue was acquired by PolyGram.





    Nov 1967
    UK COPYRIGHT REGISTRATION

    Nina 
    This song has not been released by any artist.

    Dec 1967
    Reg Dwight resigns from Bluesology and changes his name to Elton John. The name is combined from those of his bandmates, saxophone player Elton Dean and singer Long John Baldry.




    Dec 1967
    UK COPYRIGHT REGISTRATION

    I Want To See You Smile (Elton John / Caleb Quaye) 
    This song has not been released by any artist.


    Chapter Menu
    1947 to 1965
    1966
    1967
    1968
    1969

    Elton John´s Diary 1966





    The Illustrated Cornflakes & Classics A musical history of Elton John
    by Paul Maclauchlan


    Copyright 1989, 2006 Paul Maclauchlan



    Permission granted to copy this information if credit is given


    Photo: Elton John and Bluesology


    1966

    Feb 1966
    UK 45 - Bluesology
    Fontana

    Mr Frantic 
    Everyday (I Have The Blues) 
    Dec 11 1966




    Mr. Frantic
    Written by Reg Dwight
    © 1965 Mills Music

    --------------------------------------------------------------------------------

    When you hold me, when you thrill me
    My heart just sets on fire
    When you love me, when you hold me
    I'm just filled with desire

    You know that I love you baby
    But your kind of loving just drives me crazy
    When you hold me, when you kiss me
    Mr. Frantic, Mr. Frantic

    When you tell me that I'm your only
    I feel on top of the world
    If you'd only say you will
    Then you'll be my only girl

    We could be such a happy pair
    And I promise to do my share
    When you hold me, when you kiss me
    Mr. Frantic, Mr. Frantic

    You know that I have loved you since
    The day we met in the rain
    And if you were to go away now
    My heart couldn't stand the pain





    BLUESOLOGY History

    From about 1960, organist Reggie Dwight - then aged 13 - and his neighbour, singer and guitarist Stewart "Stu" Brown, performed with a local group, the Corvettes, in Pinner, Middlesex, a suburb of London. After that group split up, the pair formed a new group, Bluesology, with Rex Bishop (bass), and Mick Inkpen (drums). According to Dwight the band's name was in homage to the Django Reinhardt album Djangology. There had also been a 1956 piece named Bluesology by John Lewis of the Modern Jazz Quartet. By 1962 they had begun playing local pubs, and in 1963 they won a regular weekly slot at the Establishment Club in London, playing tunes by Muddy Waters, Jimmy Witherspoon and Memphis Slim, among others. In 1965, they turned professional, and signed a contract with an agency which began hiring them out as a backing band for visiting American performers, including The Isley Brothers, Doris Troy, Billy Stewart and Patti LaBelle.

    After recording a demo they were signed by Fontana Records, and recorded their first single, Dwight's song "Come Back Baby", in July 1965.[3] In November 1965 they released a second single, "Mr. Frantic", again written and sung by Dwight, and again unsuccessful. After a tour of Germany the band returned to England to work as the backing band for Major Lance with an expanded line-up of Dwight, Brown, Pat Higgs (trumpet), Dave Murphy (saxophone), Freddie Creasey (bass) and Paul Gale (drums).

    In September 1966 the band was invited by vocalist Long John Baldry to become his regular band. Only Dwight and Brown agreed, thus forming with Baldry a new version of Bluesology, along with Fred Gandy (bass), Pete Gavin (drums), Neil Hubbard (guitar), Elton Dean (saxophone), Marc Charig (cornet), and Alan Walker (vocals), and, for a brief spell, singer Marsha Hunt.[6] As Stu Brown and Bluesology, they recorded the single "Since I Found You Baby" for Polydor Records, produced by Kenny Lynch.

    As Baldry's music drifted more towards the cabaret market, Dwight became disenchanted with the band, and so simultaneously began to develop songwriting skills in collaboration with Bernie Taupin whilst working as a session musician. Dwight, Brown and Dean all quit Bluesology in late 1967, Brown's replacement being Caleb Quaye, only for the band to call it a day the following year.
    Dwight used the names of fellow band members Elton Dean and John Baldry to create his new solo stage name of Elton John. Brown went on to form country rock band Cochise, playing and singing on their first two albums, Cochise and Swallow Tales, in 1970-71, before moving to the Mediterranean. Dean, Hubbard and Charig all had lengthy careers as jazz and session musicians. Gavin became a member of Heads Hands & Feet and later Vinegar Joe,and Gandy joined Caleb Quaye's band Hookfoot.[

    A Bluesology compilation album, Rare Tracks, was issued by Polydor in 1975.


    UK CONCERT - Saville Theatre, Shaftesbury Avenue, London

    Bluesology, along with The Quotations and The Alan Price Set, appear as a support band for the only London appearance of Little Richard. At this point in time the band is: Stuart Brown: vocals; Reg Dwight: keyboards; Freddie Creasey: bass; David Murphey: sax; Chris Bateson: trumpet; and Paul Gale: drums.





























    Dec 1966
    Long John Baldry becomes the lead singer of Bluesology.


    quinta-feira, 8 de novembro de 2012

    Elton John defends himself from paparazzi.

    2012 Music Industry Trusts Awards held at the Grosvenor House Hotel.
    November 6, 2012


















    Engelbert Humperdinck has teamed up with Sir Elton John on a track

    'Eltonbert' team up for duet




    Sunday, 4 November 2012


    Engelbert Humperdinck has teamed up with Sir Elton John on a track

     ENLARGE

    Chart veteran Engelbert Humperdinck has teamed up with Sir Elton John for the first time to work on a duet.
    The pair popped into a studio in Los Angeles to work on the track which is due to be released early next year.

    The "Eltonbert" collaboration will appear on an album of duets being assembled by 76-year-old Engelbert.

    His new album will come 45 years after his first massive number one single, his signature tune Please Release Me.

    Engelbert - the UK's entry for Eurovision earlier this year, although the track flopped - said: "This album is a true labour of love. We have a few more recordings to go, but what a cast. I'm keeping most of it under my hat but was so excited about working with Elton who I have admired ever since first hearing him that I just couldn't keep it to myself.

    "I'm honoured that he has contributed to this album.

    Sir Elton said his new recording pal was "one of the sweetest and nicest people I have ever worked with".

    He went on: "We had a great time singing together and he is so quick, what I call a 'one-take singer' - 76 years old and still sounding as good as ever".



    Read more: http://www.belfasttelegraph.co.uk/entertainment/news/eltonbert-team-up-for-duet-16233739.html#ixzz2Bhuv6iua

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    The Illustrated Elton John Timeline
    This page is part of the project “The Illustrated Elton John Timeline”, an illustrated timeline dedicated to documenting, in chronological and detailed form, the life and career of Elton John, with a strong focus on historical research, preservation, and rare material.

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    All articles on this blog may contain research or information errors. If you notice any, please email robsonvianna2025@gmail.com , indicating the error, the correct reference, and the post in question. The correction will be made with credit to the contributor. Thank you in advance for your collaboration, which is essential for clarifying doubts and enriching the content about Sir Elton John's career. - Robson Vianna

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