Biografia Elton John

Biografia Elton John
A trajetória da carreira de Elton John em capitulos

slideshow - MUTE , No sound

terça-feira, 24 de abril de 2012


Elton John´s Corporation - Elton John THE UNRELEASED TRACKS Live AR Studios New York City 11 17 70.rar​17-11-70
7-11-70 (US title 11-17-70) is a live album by British singer/songwriter Elton John,
released in 1971. The recording was taken from a live radio broadcast on
17 November 1970, hence the album's title. The recording was originally popular
among bootleggers which, according to Gus Dudgeon,
eventually prompted the record label to release it as an album.
It has been said that the release by an eastern bootlegger of the
whole 60-minute aircast rather than the 40 minutes selected by
Dick James Music significantly cut into the US sales of the live album.
Another contributing factor to the original album's soft sales could have been the glut of
Elton John product on the market at the time. John also had in release
2 full studio albums (Elton John and Tumbleweed Connection) and a movie soundtrack
(Friends) when the live LP was issued. Nonetheless, it become the fourth of John's
records to simultaneously land in the Top 100, making him the first act to do so since
The Beatles. According to longtime NYC radio DJ Dave Herman
(who can be heard at the beginning and end of the album), Elton John cut his hand at
some point during the performance, and by the end of the show, his piano keyboard
was covered with blood.

John and his band performed 13 songs during the radio broadcast.
The original album included only six of the songs; a seventh, "Amoreena,"
appeared as a bonus track on the album's 1996 CD reissue.
The other six performances remain officially unreleased: "I Need You to Turn To,"
"Your Song," "Country Comfort," "Border Song," "Indian Sunset," and "My Father's Gun."

John has stated in several interviews that he believes that this recording is
his best live performance. He has also cited the album as a great showcase
for the musicianship of drummer Nigel Olsson and bassist Dee Murray.
It is also the only officially released example of what John's live band sounded
like prior to the arrival of guitarist Davey Johnstone, who wouldn't be a member for
another year or so.

Full set list

I Need You To Turn To
Your Song
Country Comfort
Border Song
Indian Sunset
Bad Side Of The Moon
Take Me To The Pilot
Sixty Years On
Honky Tonk Women
Can I Put You On
Burn Down The Mission (including My Baby Left Me & Get Back)
My Father's Gun (encore)


Elton John – piano, vocals
Dee Murray – bass, backing vocals
Nigel Olsson – drums, backing vocals


Producer: Gus Dudgeon
Engineer: David Hentschel, Phil Ramone
Coordination: Steve Brown, Joe Disabato
Design: David Larkham
Photography: David Larkham
Liner notes: Gus Dudgeon, John Tobler
Emcee: Dave Herman


Elton John´s Corporation - Elton John THE UNRELEASED TRACKS Live AR Studios New York City 11 17 70.rar​o1oh9p

I Need You To Turn To
Your Song
Country Comfort
Border Song
Indian Sunset

My Father's Gun (encore)


This is ultra rare FULL HD video of AXL ROSE AND ELTON JOHN in backstage back in 1994 ( Very rare)

Elton John Musical O Rei Leão vem a São Paulo em 2013

Musical "O Rei Leão" vem a São Paulo em 2013 

Espetáculo tem estreia prometida para 7 de março, no Teatro Abril
Redação VEJINHA.COM | 23/04/2012
"Rei Leão": espetáculo apresenta canções de Elton John e Tim Rice
A Time For Fun anunciou na tarde de hoje que o musical “O Rei Leão”, a maior bilheteria da história da Broadway, com mais de 853,8 milhões de dólares arrecadados, vem a São Paulo no ano que vem.
Segundo a produtora, o espetáculo tem data de estreia marcada para 7 de março, no Teatro Abril, com elenco formado por atores, cantores e bailarinos brasileiros.
Traduzida em oito línguas diferentes (japonês, alemão, coreano, francês, holandês, mandarim, espanhol e, agora, português), a montagem já passou por 15 países dos cinco continentes.
O espetáculo apresenta músicas de Elton John e Tim Rice feitas para o filme “O Rei Leão” e outras três novas canções de John e Rice.

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