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    Elton John — Rare, Unreleased & Archival Audio

     

    🎵 Elton John — Rare, Unreleased & Archival Audio



    Elton John — Rare, Unreleased & Archival Audio
    Research, Documentation and Classification

    This document brings together rare, unreleased, demo, and development-stage audio materials associated with Elton John, with the purpose of historical documentation and archival clarification. Many titles circulating online are incomplete, misattributed, or derived from early creative stages. This text organizes them according to their verified or probable origin, avoiding confusion between officially released works and internal or unused material.


    TRACK: Light of the World
    Unreleased studio recording — 2019

    "Light of the World" was written by Elton John and Tim Rice in 2019 for Disney’s remake of The Lion King. The song was fully recorded in studio and conceived as a dramatic ballad centered on hope, unity, and legacy.

    Despite being completed, Disney ultimately decided to exclude the song from the final cut of the film and from the official soundtrack. As a result, it has never been commercially released and remains preserved only in studio archives. Today, it is regarded as one of the most significant modern-era unreleased Elton John songs.

    Classification
    Type: unreleased studio recording
    Authors: Elton John / Tim Rice
    Project: The Lion King (2019)
    Status: officially unreleased


    TRACK: Dance of the Robe
    Elton John / Tim Rice — Musical Theatre / 2000

    "Dance of the Robe" is one of the most emblematic songs from the musical Aida, with music by Elton John and lyrics by Tim Rice. Released on the album Elton John And Tim Rice’s Aida: Original Broadway Cast Recording (2000), the track serves both a narrative and thematic purpose, exploring leadership, responsibility, and cultural identity.

    In the musical, "Dance of the Robe" occurs when Aida, a Nubian princess turned slave, is brought back to her people’s camp. The Nubian chorus performs a ceremonial ritual in her honor, expressing hope, expectation, and subtle tension between celebration and concern. The song symbolizes the passing of responsibility, with the robe representing authority and the weight of expectations placed upon Aida.

    Musically, it incorporates African and Middle Eastern influences, reflecting cultural diversity. The combination of chorus, solo characters, and rhythmic arrangements creates an intense theatrical atmosphere, emphasizing the ceremonial nature of the scene.

    Although it was not released as a solo single, the performance by the Original Broadway Cast, including Heather Headley, has become a reference for fans and musical scholars. The song exemplifies Elton John’s ability to integrate music seamlessly with theatrical storytelling, combining emotion, drama, and symbolic depth.

    In summary, "Dance of the Robe" is more than a song: it is a moment of ritual and introspection, revealing the depth of the central character, Aida, and the richness of the world created by Elton John and Tim Rice.


    TRACK: Write Your Own Song (aka Mystical Plan)
    Unreleased demo — The Union sessions

    "Write Your Own Song," also known under the working title "Mystical Plan," is a rare solo piano demo from the recording sessions for The Union (2009–2010), Elton John’s collaboration with Leon Russell. The piece reflects the exploratory songwriting phase of those sessions and showcases Elton’s melodic approach in a stripped-down, intimate format. Although completed as a demo, it was not selected for inclusion on the final album.

    Classification
    Type: demo recording
    Era: The Union sessions
    Collaborator: Leon Russell
    Format: solo piano
    Status: unreleased


    TRACK: Never Too Late (Fast Version)
    Unreleased demo / early arrangement

    "Never Too Late (Fast Version)" is an unreleased demo representing an early developmental stage of the song later released in a slower, ballad-style form. This version presents a more upbeat, lively, and playful tempo, showing that the composition originally explored a different musical direction before evolving into its final arrangement. The fast version has never been commercially issued and survives only in private collections.

    Classification
    Type: demo / early arrangement
    Status: unreleased
    Commercial availability: none
    Relation to released version: early alternate version
    Style: upbeat / lively


    TRACK: I Only Love You for Your Body
    Confirmed theatrical song — not an Elton John vocal recording

    This song belongs to The Devil Wears Prada: A New Musical and is performed by cast members. Elton John contributed as composer, but the song is not sung or released by him as a solo artist.

    Classification
    Format: musical theatre song
    Project: The Devil Wears Prada: A New Musical
    Role of Elton John: composer
    Performer: cast members
    Status: not an Elton John vocal recording


    TRACK: A Legend Is Born
    Unreleased / unused demo — possible development material

    "A Legend Is Born" does not appear in any official track list, cast album, or published documentation related to Elton John’s catalog. Available evidence suggests it may represent a working title or unused demo created during early development stages of The Devil Wears Prada. No official recording, score publication, or performance credit has been released.

    Classification
    Status: unreleased / unused demo
    Context: possible early workshop or development material
    Project association: The Devil Wears Prada: A New Musical (probable, not confirmed)
    Official release: none


    TRACK: Dress Your Way Up
    Unreleased / unused demo — possible development material

    "Dress Your Way Up" is likewise absent from all officially released song lists related to The Devil Wears Prada: A New Musical. Its thematic alignment with the fashion-centered narrative suggests it may originate from early conceptual drafts or songwriting workshops.

    Classification
    Status: unreleased / unused demo
    Context: possible workshop or early draft material
    Project association: The Devil Wears Prada: A New Musical (probable, not confirmed)
    Official release: none


    TRACK: Little Island
    Randy Newman / Elton John — Album Faust (1995)

    "Little Island" is a song by Randy Newman featuring Elton John on the album Faust (1995). Newman is a renowned American composer, singer, and pianist, known for his intelligent, often satirical style and for film scores such as Toy Story, Monsters, Inc., and Cars.

    In Faust, Elton John performs as the character Angel Rick. "Little Island" addresses themes of historical injustice, human suffering, and societal indifference, including references to events like the Holocaust. The song combines theatrical storytelling, social critique, and expressive vocals, highlighting the collaboration between Newman and John as emotionally and thematically intense.

    The album Faust is a modern rock opera written by Randy Newman, based on the classic legend of Faust, the man who sells his soul to the devil in exchange for power and knowledge. The story is set in contemporary United States. The protagonist, Henry Faust, is an apathetic college student, caught in a battle between God and the Devil for his soul. The album features major music artists like James Taylor, Don Henley, Linda Ronstadt, and Elton John. Musically, it blends orchestral pop, introspective ballads, and theatrical moments, all stitched together with Newman’s sharp sarcasm and lyrical brilliance.

    Performed by Elton John, "Little Island" appears at the moment when Angel Rick tries to explain to Henry — and to the listener — the complexity of divine justice, or the absence of it. The song touches on historical injustice, societal indifference, celestial cynicism, and moral isolation. The “little island” serves as a metaphor for the human condition: a kind of emotional and moral prison where mistakes are forgotten but never truly overcome.

    In conclusion, "Little Island" is a sharp and moving portrayal of the human condition, historical memory, and the absence of true justice. Elton John’s performance brings Angel Rick to life with intensity, while Randy Newman uses his lyrical genius to confront the listener with uncomfortable truths. The song becomes a powerful piece of social critique and moral reflection.


    TRACK: Someone to Watch Over Me / Love Is Here to Stay
    Elton John — The Glory of Gershwin (1994)

    In 1994, Elton John contributed a distinguished performance to The Glory of Gershwin, an orchestral tribute album produced by George Martin honoring George and Ira Gershwin. Elton John’s recording combines “Someone to Watch Over Me” and “Love Is Here to Stay” into a single track. The performance reflects restraint and emotional clarity, emphasizing interpretative discipline and respect for the original compositions.

    Originally composed in 1926 for the Broadway musical Oh, Kay!, “Someone to Watch Over Me” captures emotional vulnerability. "Love Is Here to Stay", completed in 1938, represents a mature affirmation of enduring love. George Martin’s production balances orchestra, voice, and harmonica, with Larry Adler’s harmonica serving as melodic counterpoint.

    Technical Credits
    Composer: George Gershwin
    Lyricist: Ira Gershwin
    Performing Artist: Elton John — lead vocals
    Featured Musician: Larry Adler — harmonica
    Producer: George Martin
    Album: The Glory of Gershwin
    Recording Period: 1993–1994
    Recording Location: Abbey Road Studios, London
    Release Date: 1994
    Record Label: Mercury Records (PolyGram / Universal Music Group)
    Format: CD, Cassette, Vinyl (select markets)
    Catalog Numbers: Mercury UK CD 518 270-2 / Mercury US CD 314 518 270-2 / Mercury LP (EU) 518 270-1
    Genre: Orchestral Pop / Jazz Standards / Vocal Traditional




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    The Illustrated Elton John Timeline

    The Illustrated Elton John Timeline
    This page is part of the project “The Illustrated Elton John Timeline”, an illustrated timeline dedicated to documenting, in chronological and detailed form, the life and career of Elton John, with a strong focus on historical research, preservation, and rare material.

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    All articles on this blog may contain research or information errors. If you notice any, please email robsonvianna2025@gmail.com , indicating the error, the correct reference, and the post in question. The correction will be made with credit to the contributor. Thank you in advance for your collaboration, which is essential for clarifying doubts and enriching the content about Sir Elton John's career. - Robson Vianna

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