🎵 Elton John — Rare, Unreleased & Archival Audio
This document brings together rare, unreleased, demo, and development-stage audio materials associated with Elton John, with the purpose of historical documentation and archival clarification. Many titles circulating online are incomplete, misattributed, or derived from early creative stages. This text organizes them according to their verified or probable origin, avoiding confusion between officially released works and internal or unused material.
"Light of the World" was written by Elton John and Tim Rice in 2019 for Disney’s remake of The Lion King. The song was fully recorded in studio and conceived as a dramatic ballad centered on hope, unity, and legacy.
Despite being completed, Disney ultimately decided to exclude the song from the final cut of the film and from the official soundtrack. As a result, it has never been commercially released and remains preserved only in studio archives. Today, it is regarded as one of the most significant modern-era unreleased Elton John songs.
"Dance of the Robe" is one of the most emblematic songs from the musical Aida, with music by Elton John and lyrics by Tim Rice. Released on the album Elton John And Tim Rice’s Aida: Original Broadway Cast Recording (2000), the track serves both a narrative and thematic purpose, exploring leadership, responsibility, and cultural identity.
In the musical, "Dance of the Robe" occurs when Aida, a Nubian princess turned slave, is brought back to her people’s camp. The Nubian chorus performs a ceremonial ritual in her honor, expressing hope, expectation, and subtle tension between celebration and concern. The song symbolizes the passing of responsibility, with the robe representing authority and the weight of expectations placed upon Aida.
Musically, it incorporates African and Middle Eastern influences, reflecting cultural diversity. The combination of chorus, solo characters, and rhythmic arrangements creates an intense theatrical atmosphere, emphasizing the ceremonial nature of the scene.
Although it was not released as a solo single, the performance by the Original Broadway Cast, including Heather Headley, has become a reference for fans and musical scholars. The song exemplifies Elton John’s ability to integrate music seamlessly with theatrical storytelling, combining emotion, drama, and symbolic depth.
In summary, "Dance of the Robe" is more than a song: it is a moment of ritual and introspection, revealing the depth of the central character, Aida, and the richness of the world created by Elton John and Tim Rice.
"Write Your Own Song," also known under the working title "Mystical Plan," is a rare solo piano demo from the recording sessions for The Union (2009–2010), Elton John’s collaboration with Leon Russell. The piece reflects the exploratory songwriting phase of those sessions and showcases Elton’s melodic approach in a stripped-down, intimate format. Although completed as a demo, it was not selected for inclusion on the final album.
"Never Too Late (Fast Version)" is an unreleased demo representing an early developmental stage of the song later released in a slower, ballad-style form. This version presents a more upbeat, lively, and playful tempo, showing that the composition originally explored a different musical direction before evolving into its final arrangement. The fast version has never been commercially issued and survives only in private collections.
This song belongs to The Devil Wears Prada: A New Musical and is performed by cast members. Elton John contributed as composer, but the song is not sung or released by him as a solo artist.
"A Legend Is Born" does not appear in any official track list, cast album, or published documentation related to Elton John’s catalog. Available evidence suggests it may represent a working title or unused demo created during early development stages of The Devil Wears Prada. No official recording, score publication, or performance credit has been released.
"Dress Your Way Up" is likewise absent from all officially released song lists related to The Devil Wears Prada: A New Musical. Its thematic alignment with the fashion-centered narrative suggests it may originate from early conceptual drafts or songwriting workshops.
"Little Island" is a song by Randy Newman featuring Elton John on the album Faust (1995). Newman is a renowned American composer, singer, and pianist, known for his intelligent, often satirical style and for film scores such as Toy Story, Monsters, Inc., and Cars.
In Faust, Elton John performs as the character Angel Rick. "Little Island" addresses themes of historical injustice, human suffering, and societal indifference, including references to events like the Holocaust. The song combines theatrical storytelling, social critique, and expressive vocals, highlighting the collaboration between Newman and John as emotionally and thematically intense.
The album Faust is a modern rock opera written by Randy Newman, based on the classic legend of Faust, the man who sells his soul to the devil in exchange for power and knowledge. The story is set in contemporary United States. The protagonist, Henry Faust, is an apathetic college student, caught in a battle between God and the Devil for his soul. The album features major music artists like James Taylor, Don Henley, Linda Ronstadt, and Elton John. Musically, it blends orchestral pop, introspective ballads, and theatrical moments, all stitched together with Newman’s sharp sarcasm and lyrical brilliance.
Performed by Elton John, "Little Island" appears at the moment when Angel Rick tries to explain to Henry — and to the listener — the complexity of divine justice, or the absence of it. The song touches on historical injustice, societal indifference, celestial cynicism, and moral isolation. The “little island” serves as a metaphor for the human condition: a kind of emotional and moral prison where mistakes are forgotten but never truly overcome.
In conclusion, "Little Island" is a sharp and moving portrayal of the human condition, historical memory, and the absence of true justice. Elton John’s performance brings Angel Rick to life with intensity, while Randy Newman uses his lyrical genius to confront the listener with uncomfortable truths. The song becomes a powerful piece of social critique and moral reflection.
In 1994, Elton John contributed a distinguished performance to The Glory of Gershwin, an orchestral tribute album produced by George Martin honoring George and Ira Gershwin. Elton John’s recording combines “Someone to Watch Over Me” and “Love Is Here to Stay” into a single track. The performance reflects restraint and emotional clarity, emphasizing interpretative discipline and respect for the original compositions.
Originally composed in 1926 for the Broadway musical Oh, Kay!, “Someone to Watch Over Me” captures emotional vulnerability. "Love Is Here to Stay", completed in 1938, represents a mature affirmation of enduring love. George Martin’s production balances orchestra, voice, and harmonica, with Larry Adler’s harmonica serving as melodic counterpoint.
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