The 'Billy Elliot' cast member killed on Thursday evening by a double-decker bus in London was a young girl simply "living her dream as a dancer," her family said.
Charlotte Leatherbarrow, 12, was crossing a road near her home when she was struck down. She was pronounced dead at the scene.
The schoolgirl reportedly played the role of a young ballerina in the long-running West End stage production, which features an award-winning score composed by Sir Elton John.
The grieving family said, "Charlotte was a fun-loving, thoughtful, caring and bubbly girl. She loved life and lived it to the full. Each and every one of us will miss her enormously."
A spokesman for the production said, "The cast, crew and production team of 'Billy Elliot the Musical' were devastated to hear the tragic news about 12-year-old Charlotte Leatherbarrow, one of the show's young performers. At this terribly sad time, our thoughts are with her family."
Charlotte was hit by the bus while crossing Herne Hill Road in southeast London on Thursday evening. The bus driver, treated at the scene, escaped without serious injury. The accident is being investigated by police.
Alan Bradshaw, the children's dance captain for the company, who worked closely with Charlotte during her stint on 'Billy Elliot,' paid tribute to her on behalf of fellow cast and crew members.
"Charlotte was the most adorable girl," he said. "She was lively and energetic, had a wonderful smile and was an absolute pleasure to work with."
Elton John concert sells out
http://www.news-leader.com/article/20110320/NEWS01/103200375/Elton-John-concert-sells-out?odyssey=tab|topnews|text|FRONTPAGE6 Comments
Customers wait to purchase Elton John tickets at JQH Arena on Saturday. / Augusta Liddic / News-Leader
With some glitches and slow computers, tickets to the April 16 Elton John show at JQH Arena sold out Saturday morning after about two hours.
They went on sale at 10 a.m. and sold out shortly after noon, said Randy Blackwood, executive director of athletics and entertainment facilities for Missouri State.
The 2008 Eagles show was sold out in 75 minutes.
Blackwood said he thought the Elton John concert had the possibility of selling out faster than the Eagles.
"We had problems with the sheer volume of requests online. It actually slowed to the point it was crawling," said Blackwood.
Credit card approvals Saturday were slow, too, so ticket buyers who showed up at the box office were given the option to pay by check.
Blackwood said fans at the box office were all cooperative. He called the sale overall a great success.
He said, "We're delighted to see it do so well in Springfield."
Blackwood said it is still possible a few seats might become available, even the day of the show. Fans are encouraged to keep checking online. "It's a possibility, but I don't want to articulate any kind of guarantee."
On show day, stage crews finalize where every kind of prop will be. That means areas that weren't sold because they were thought to have a blocked view could become available. Also, sometimes promoters return tickets.
Scores of fans who wanted to guarantee themselves tickets were camping outside JQH overnight at about 10:30 p.m. Friday night.
Adria Vestal, 60, a retired elementary school teacher from Springfield, was there with her 13-year-old granddaughter, Taylor Haverstick. Vestal was the third person in line.
"It was so much fun," Taylor said of waiting in line. "I can't wait for the next concert to roll through."
Melanie Curtis and her boyfriend, Merlin Coffee, headed to the arena after services at Temple Israel on Friday night.
"It was so cold I lost the feeling in my toes," Curtis said. "The last time I saw him I got on a Greyhound bus to go to Washington, D.C., to see him. My parents still don't know I did that."
Missouri State senior Luke Benten, 21, got to JQH Arena about 9:10 a.m. He spent more than two hours in line trying buy tickets. He called about 80 times but couldn't get through and spent the rest of the time fruitlessly trying to buy tickets online on his phone.
By the time he got to the ticket window, the least expensive $29 tickets were sold out. Benten left without buying tickets, saying he wouldn't get them unless he won some or found another way to get them online, obviously at a much higher price.
Those trying to run the box office were overheard trying to explain to those in line why sales were going so slowly. Workers also tried to explain why processes had become snarled.
They went on sale at 10 a.m. and sold out shortly after noon, said Randy Blackwood, executive director of athletics and entertainment facilities for Missouri State.
The 2008 Eagles show was sold out in 75 minutes.
Susan Lamphear (left) of Ozark and Millie Joeckel of Nixa wait in line at JQH Arena for Elton John tickets on Saturday. Lamphear, who arrived at the arena at 3:30 a.m., said the wait was worth every minute. / Augusta Liddic News-Leader
"We had problems with the sheer volume of requests online. It actually slowed to the point it was crawling," said Blackwood.
Credit card approvals Saturday were slow, too, so ticket buyers who showed up at the box office were given the option to pay by check.
Blackwood said fans at the box office were all cooperative. He called the sale overall a great success.
He said, "We're delighted to see it do so well in Springfield."
Blackwood said it is still possible a few seats might become available, even the day of the show. Fans are encouraged to keep checking online. "It's a possibility, but I don't want to articulate any kind of guarantee."
On show day, stage crews finalize where every kind of prop will be. That means areas that weren't sold because they were thought to have a blocked view could become available. Also, sometimes promoters return tickets.
Scores of fans who wanted to guarantee themselves tickets were camping outside JQH overnight at about 10:30 p.m. Friday night.
Adria Vestal, 60, a retired elementary school teacher from Springfield, was there with her 13-year-old granddaughter, Taylor Haverstick. Vestal was the third person in line.
"It was so much fun," Taylor said of waiting in line. "I can't wait for the next concert to roll through."
Melanie Curtis and her boyfriend, Merlin Coffee, headed to the arena after services at Temple Israel on Friday night.
"It was so cold I lost the feeling in my toes," Curtis said. "The last time I saw him I got on a Greyhound bus to go to Washington, D.C., to see him. My parents still don't know I did that."
Missouri State senior Luke Benten, 21, got to JQH Arena about 9:10 a.m. He spent more than two hours in line trying buy tickets. He called about 80 times but couldn't get through and spent the rest of the time fruitlessly trying to buy tickets online on his phone.
By the time he got to the ticket window, the least expensive $29 tickets were sold out. Benten left without buying tickets, saying he wouldn't get them unless he won some or found another way to get them online, obviously at a much higher price.
Those trying to run the box office were overheard trying to explain to those in line why sales were going so slowly. Workers also tried to explain why processes had become snarled.
"Elton John - 36 music videos from VH1!!!"
http://file.sh/download/El/Elton-John---36-music-videos-from-VH1!!!.1004576.htmlGetting started with torrents
| Size: | 5.30 GB | Seeders: | 6 |
|---|---|---|---|
| Category: | Music > Video clips | Leechers: | 2 |
| Date: | 2007-02-24 13:54:48 |
Description
36 music videos from VH1 all performed by Elton John. All in DVD quality! Only the videos are here as vob files, ready for burning to DVD (no menus or DVD structure ifo files and so on)
The videos are (in chronological order)
Your Song [1971]
Sorry Seems To Be The Hardest Word [1976]
Don't Go Breaking My Heart (With Kiki Dee) [1976]
Part Time Love [1978]
Blue Eyes [1982]
I Guess That's Why They Call It The Blues [1983]
I'm Still Standing [1983]
Kiss The Bride [1983]
Passengers [1984]
That's What Friends Are For
(With Dionne Warwick, Stevie Wonder & Gladys Knight) [1985]
Nikita [1985]
Town Of Plenty [1988]
A Word In Spanish [1988]
Candle In The Wind [1988]
I Don't Wanna Go On With You [1988]
Club At The End Of The Street [1989]
You Gotta Love Someone [1990]
Sacrifice [1990]
Philadelphia Freedom (Live From Verona) [1990]
Don't Let The Sun Go Down On Me (With Geroge Michael) [1991]
Can You Feel The Love Tonight [1994]
Circle Of Life [1994]
Believe [1995]
Please [1996]
Live Like Horses (With Pavarotti) [1996]
Candle In The Wind (Dedicated To Princess Diana) [1997]
Something About The Way You Look Tonight [1997]
Recover Your Soul [1998]
I Want Love [2001]
Original Sin [2002]
Rocket Man (Live) [2002]
Sorry Seems To Be The Hardest Word (With Blue) [2002]
This Train Don't Stop There Anymore [2002]
Your Song (With Alessandro Safino) [2002]
Are You Ready For Love [2003]
All That I'm Alowed [2004]
Enjoy!!!
And remember, I can only seed up to 1 mbps (it is about 80kbytes per second), so the first person will have this in about 20 hours or so. But stillit's woth to download it, cause the quality is perfect!!!
And also remember to seed after complete download so you have 1:1 ratio (upload/download). It means that you seed as much as you download! http://file.sh/torrent/0a9dda8c78951aab742df31084d85e64f1641648/Elton.John.-.36.music.videos.from.VH1!!!.torrent
Elton John - The Seventeenth of November Complete (1970)
Elton John - The Seventeenth of November Complete (1970)[Lossless]
1 CD | 13 FLAC Tracks | 44.1Khz-16Bits | 479MB
Genre: Pop
The entire set that was recorded and used to make the 11/27/70 album.
Tracklist:
1. I NEED YOU TO TURN TO - 3:03
2. YOUR SONG - 4:14
3. COUNTRY COMFORT - 5:35
4. BORDER SONG - 3:54
5. INDIAN SUNSET - 6:35
6. AMOREENA - 4:52
7. BAD SIDE OF THE MOON - 4:17
8. TAKE ME TO THE PILOT - 6:05
9. SIXTY YEARS ON - 7:20
10. HONKY TONK WOMAN - 4:03
11. CAN I PUT YOU ON - 6:04
12. BURN DOWN THE MISSION /
GET BACK / MY BABY LEFT ME - 17:40
13. MY FATHERS GUN - 5:22
DOWNLOAD
http://www.filesonic.com/file/289628011/1970Complete_EJohn.part1.rar
http://www.filesonic.com/file/288072181/1970Complete_EJohn.part2.rar
CLICK "SLOW DOWNLOAD"Elton John/Leon Russell PICS! W/d7000 back up. Missing my D700 badly!
http://forums.dpreview.com/forums/read.asp?forum=1021&message=38011635
My Beloved D700 is in for repairs so i got a D7000 for a backup. I took it To Elton John concert. I almost threw the D7000 into a wall when it started doing some really freaky things while my 70-200VR2 attached. IT was acting crazy..would not focus and exposure was flashing. Could not even get the shutter to release a couple of times. Today..its working perfectly..WTF. Maybe in the dark I fumbled some button. I did notice the huge dial at the top got stuck between M and P . I suppose this happened hiding it in and out of my backpack
The video mode worked about 3 out of 6 times. Im so frustrated that I cant even talk about..I missed so great freakin shots. I really took a hit with 1000 ISO compared to my d700. I really want to like this camera but.....nothing comes close to my dear ol friend. Hopefully, he will be back with me next week from Nikon! Im still working on technique so CC or suggestions is appreciated!Thanks!
'Billy Elliot' author talks about blending politics and artistic aspiration as tour comes to Seattle
http://seattletimes.nwsource.com/html/thearts/2014515975_billy20.htmlAn interview with Lee Hall, who wrote the screenplay and book for the movie-turned-musical "Billy Elliot," which comes to the Paramount in Seattle March 22-April 3, 2011.
Seattle Times theater critic
MICHAEL BROSILO Giuseppe Bausilio plays the lead in "Billy Elliot," coming to the Paramount this week.
THEATER PREVIEW
'Billy Elliot'
Previews Tuesday, opens Wednesday and runs through April 3, Paramount Theatre, 911 Pine St., Seattle; $25-$80 (877-784-4849 or www.stgpresents.org). 
There are two main thrusts to "Billy Elliot," the sleeper film and smash-hit musical based on it.
First there is the fable of a plucky young British lad, who overcomes macho resistance and peer pressure from his friends and relations to follow his dream of becoming a ballet dancer.
But just as important to Lee Hall, author of the screenplay for "Billy Elliot" and the book and lyrics for the Broadway-West End musical version (which comes to the Paramount Theatre on tour this week), is the story of the mid-'80s English miners' strike that has a shattering impact on Billy's family and community.
"Putting the two extremes together — ballet dancing and the mining community — means you can look at all these issues and contradictions about class and culture, and that's what is interesting," Hall said recently by phone from London. "The story is politically informed, but not didactic in any way, and that was deliberate."
Though it was scored by the Midas-touch tunesmith Elton John, and reaped 10 Tony Awards along with top stage honors in England, the musical "Billy Elliot" was in some ways an unlikely hit — as was the movie.
The protagonist is a boy of 11 who pirouettes like a dervish and can leap like a gazelle. The setting: a dreary, downhearted household, still reeling from the death of Billy's mother. And one showstopping number is a violent clash between protesting miners and a scary phalanx of police in RoboCop-style helmets, wielding billy clubs and plexiglass shields.
But within its gritty setting, and forceful opposition to former Prime Minister Margaret Thatcher's union-busting policies, is the sentimental archetype of a young boy's triumph against tough odds.
To those who consider "Billy Elliot" mainly a story of individualistic striving, Hall counters, "Billy starts off as an individual but then he takes everybody with him. He's able to do so because there is some type of solidarity and community which has allowed him to flourish."
He continued, "To me, it's about finding self-expression and standing up for what you believe in. It makes me furious to think people believe you can't articulate yourself in an artistic way and remain working-class. It shows such an ignorance of the whole tradition of the working class, where art is an absolutely fundamental thing."
Hall, who is in his mid-40s, is well-known in England for his many scripts for stage, screen and radio. His recent docu-play "The Pitmen Painters," about a group of miners who became distinguished artists, earned trans-Atlantic acclaim.
He's now working on a musical inspired by Pink Floyd's "The Wall," and he just penned the screenplay for "War Horse," an upcoming Steven Spielberg movie about the adventures of a farm boy and his horse in the World War I trenches.
Like his alter ego Billy, Hall hails from a working-class clan in Newcastle-upon-Tyne, in one of Britain's oldest coal-producing regions, though his father was a house painter. "For me, writing was my ballet, in a sense," said Hall, who attended Cambridge University on scholarship.
"I wrote the movie of 'Billy Elliot' when I was still a neophyte playwright. I was trying to find a way of telling my own story but in a visual way. The first image that came to my mind was a kid jumping up and down on the bed like I used to do. Once I had that bit, the whole thing about dance just came tumbling out."
Getting "Billy Eliot" filmed was not easy. "The initial feeling from prospective producers was that the miners' strike was too dour a subject, and no one will want to see a boy doing ballet.
"But Stephen [Daldry, the director of the film, and later the musical] read it and was committed to it from the start. 'I've never made a film, but I want to make this,' he told me."
The low-budget movie was a sleeper hit when released in 2000, and Hall won an Oscar nomination for best original screenplay.
With Daldry, and joined by singer/songwriter John, his musical version of "Billy Elliot" debuted in the West End in 2005. It's been running on Broadway since 2008.
Despite success in two mediums, Hall is still surprised and heartened by the reception to the work.
"I think there's a real hunger for drama to talk about serious things, political things, and aspirational things," he reflected.
"Both 'Billy' and 'Pitmen Painters' are about striving for something bigger in your life than what you're offered — not just money, but something spiritual, really. It's what art does best."
Misha Berson: mberson@seattletimes.com
But just as important to Lee Hall, author of the screenplay for "Billy Elliot" and the book and lyrics for the Broadway-West End musical version (which comes to the Paramount Theatre on tour this week), is the story of the mid-'80s English miners' strike that has a shattering impact on Billy's family and community.
"Putting the two extremes together — ballet dancing and the mining community — means you can look at all these issues and contradictions about class and culture, and that's what is interesting," Hall said recently by phone from London. "The story is politically informed, but not didactic in any way, and that was deliberate."
Though it was scored by the Midas-touch tunesmith Elton John, and reaped 10 Tony Awards along with top stage honors in England, the musical "Billy Elliot" was in some ways an unlikely hit — as was the movie.
The protagonist is a boy of 11 who pirouettes like a dervish and can leap like a gazelle. The setting: a dreary, downhearted household, still reeling from the death of Billy's mother. And one showstopping number is a violent clash between protesting miners and a scary phalanx of police in RoboCop-style helmets, wielding billy clubs and plexiglass shields.
But within its gritty setting, and forceful opposition to former Prime Minister Margaret Thatcher's union-busting policies, is the sentimental archetype of a young boy's triumph against tough odds.
To those who consider "Billy Elliot" mainly a story of individualistic striving, Hall counters, "Billy starts off as an individual but then he takes everybody with him. He's able to do so because there is some type of solidarity and community which has allowed him to flourish."
He continued, "To me, it's about finding self-expression and standing up for what you believe in. It makes me furious to think people believe you can't articulate yourself in an artistic way and remain working-class. It shows such an ignorance of the whole tradition of the working class, where art is an absolutely fundamental thing."
Hall, who is in his mid-40s, is well-known in England for his many scripts for stage, screen and radio. His recent docu-play "The Pitmen Painters," about a group of miners who became distinguished artists, earned trans-Atlantic acclaim.
He's now working on a musical inspired by Pink Floyd's "The Wall," and he just penned the screenplay for "War Horse," an upcoming Steven Spielberg movie about the adventures of a farm boy and his horse in the World War I trenches.
Like his alter ego Billy, Hall hails from a working-class clan in Newcastle-upon-Tyne, in one of Britain's oldest coal-producing regions, though his father was a house painter. "For me, writing was my ballet, in a sense," said Hall, who attended Cambridge University on scholarship.
"I wrote the movie of 'Billy Elliot' when I was still a neophyte playwright. I was trying to find a way of telling my own story but in a visual way. The first image that came to my mind was a kid jumping up and down on the bed like I used to do. Once I had that bit, the whole thing about dance just came tumbling out."
Getting "Billy Eliot" filmed was not easy. "The initial feeling from prospective producers was that the miners' strike was too dour a subject, and no one will want to see a boy doing ballet.
"But Stephen [Daldry, the director of the film, and later the musical] read it and was committed to it from the start. 'I've never made a film, but I want to make this,' he told me."
The low-budget movie was a sleeper hit when released in 2000, and Hall won an Oscar nomination for best original screenplay.
With Daldry, and joined by singer/songwriter John, his musical version of "Billy Elliot" debuted in the West End in 2005. It's been running on Broadway since 2008.
Despite success in two mediums, Hall is still surprised and heartened by the reception to the work.
"I think there's a real hunger for drama to talk about serious things, political things, and aspirational things," he reflected.
"Both 'Billy' and 'Pitmen Painters' are about striving for something bigger in your life than what you're offered — not just money, but something spiritual, really. It's what art does best."
Misha Berson: mberson@seattletimes.com
Elton John concert at JQH Arena sells out quickly
http://articles.ky3.com/2011-03-19/elton-john_29147417SPRINGFIELD, Mo. -- Within four hours, tickets for Elton John's upcoming concert at JQH Arena were all gone on Saturday. A crowd started gathering Friday afternoon to get tickets. People who tried to buy from the website reported running into technical problems because of the high volume of traffic.
One fan who waited in line has been to 13 Elton John concerts but this will be the first time that she's been able see her favorite singer in the Queen City.
"Never thought that he would ever come to Springfield," Lisa Wingo said. "I never thought he would ever come to Springfield and I thought it was a joke actually."
Sir Elton gives a great show at Norfolk's Ted
http://hamptonroads.com/2011/03/sir-elton-gives-great-show-norfolks-ted
NORFOLK
Elton John could coast at this point.
One of the richest, most celebrated performers in pop, he certainly doesn't need to tour and give energetic shows like the one at Ted Constant Convocation Center on Friday night. But it's wonderful that the 63-year-old legend has lost none of his soul and passion and still shares it with fans.
Granted, he has mellowed. John isn't storming stages in the flamboyant, glam-rock get-ups of yesterday. But he's still glitzy.
At the Ted, he was stationed at the piano throughout his nearly three-hour show, decked out in a black suit. A glittery green crocodile and a cartoon of a young Elton in a white suit hanging from its mouth emblazoned the back of his long jacket.
The well-paced show centered on John's greatest hits and fan favorites. In a career spanning more than 40 years (he scored big hits in each decade), there were plenty. He was backed by a powerful nine-piece band that included drummer Nigel Olsson, a longtime member of John's band, and acclaimed vocalists Tata Vega and Rose Stone, sister of Sly and an original member of Sly & the Family Stone.
During the first half of the show, John and the band stretched out on extended versions of cuts from 1971's "Madman Across the Water" and 1973's "Goodbye Yellow Brick Road," two of his most ambitious albums. "Saturday Night's Alright For Fighting," "Levon" and "Tiny Dancer" morphed into driving rock-gospel workouts, emboldened with John's dazzling piano anchoring each song.
His voice has deepened with age, adding an attractive emotional heft and grit to the ballads, especially "Don't Let the Sun Go Down on Me" and "Candle in the Wind." As John performed the latter song, lights from cell phones dotted the darkened arena and waved from side to side.
Midway into the show, after an epic take on "Rocket Man" featuring long piano and rock guitar solos, stagehands pushed out another grand piano opposite John's. The artist then introduced his "idol," Leon Russell, the silver-haired singer-songwriter. In October, John and the 68-year-old, who on Monday was inducted into the Rock and Roll Hall of Fame, released "The Union," a back-to-basics duet album produced by T Bone Burnett.
The raucous energy of the show dipped as John and Russell traded verses and piano solos. They performed about five songs from "The Union" - all well-written and deftly crafted, but they warranted more intimate arrangements. The band nearly overpowered Russell.
After his exit, John returned to high-octane rock that had the house, packed mostly with baby boomers, on its feet. Preceded by a long, intricate piano solo, "Take Me to the Pilot" churned with pronounced elements of the blues and gospel, whose undercurrents have always blown through John's style.
He didn't talk much throughout the show but still managed to engage. Just before launching into "Bennie and the Jets," he invited those seated in the first few rows to come closer. John pounded out the staccato chords, as aging baby boomers rushed the stage as if were 1974.
Rashod Ollison, (757) 446-2732, rashod.ollison@pilotonline.com
Elton John tribute show
In his four-decade career, Elton John has been one of the dominant forces in rock and popular music, especially during the 1970s. He has sold over 200 million records, making him one of the most successful artists of all time. He has more than 50 Top 40hits including seven consecutive No. 1 U.S. albums, 59 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won five Grammy awards and one Academy Award. His success has had a profound impact on popular music and has contributed to the continued popularity of the piano in rock and roll.
Yamaha Honors Elton John and Leon Russell Collaboration ?The Union? with The Piano Experience VIP Package
http://intdo.com/?p=1330Posted by – 20/03/2011
Yamaha Honors Elton John and Leon Russell Collaboration ‘The conjunction’ with The Pianoforte acquaintance VIP budget
Nashville, TN (Vocus) October 6, 2010
deem owning a rap over of harmonious story! Yamaha is contented to dole out “The Pianoforte savvy” and “The Concert Winner(ingamingorinhorse-racing).” In buttress of Elton John and Leon Russell’s album "The conjunction," fans are reality offered the orfavorabletime;goodchance to pay for a Specific minimal Issue(ofaliterarywork) Yamaha C2 Conservatory first-rate gathering great Pianoforte, which drive be signed not later than the Sumof~units dulcet icons.
The vendee wishes furthermore acquire Sumof~units to the fore racket tickets to the November 5 concert in Ontario, Calif., Atwhichplace the continue Pianoforte autograph Sitting(ofacourt devise pick up c espouse in order, along with roundtrip airfare and public-house accommodations. Priced at $ 50,000, 5% of the proceeds from this elite parcel will-power profit the Elton John AIDS groundwork.
Fans can inlikemanner co-sign a Winner(ingamingorinhorse-racing) to realize Sumof~units van wrangle tickets to a U.S. doing go steady with of selection (outset November 3) as Elton and Leon set about on a Journey(inacircuit) promoting their opening collaborative strain. The champion drive be selected via a wandering Pulling that see fit agree to mortify on October 26. To position The Pianoforte practice or to enlist to gain The Concert Winner(ingamingorinhorse-racing), callupon yamahatheunion.com.
"The Junction" is pinpoint proper for unveil in the USA on Decca Records on October 19 and in the UK on Hermes Records on October 25. Inthatplace compel besides be a Deluxe Issue(ofaliterarywork) CD and DVD pack let go. The Deluxe CD includes Sumof~units tracks that are not on the streamer releasing: “My sort Of shadesbelow” and “Mandalay anothertime.” The DVD inaddition features "The unification, the Workmanship of" by way of Cameron Crowe, a documentary near the highschool endowment-pleasing filmmaker. Click Inthisplace to preorder the album, or Inthisplace to Purchase tickets to an upcoming concert.
Yamaha secured an Meeting with Elton and Leon there the fabrication of this fresh album, and it is featured in the latest consequence of All entry. Elton John has been a Yamaha artificer since 1995 and has pledged in distinct junction promotions with the nature’s largest harmonious Tool fabricator, including the verymuch auspicious Red Pianoforte verify in Las Vegas, which ran representing five years at Caesars Statelymansion and was immortalized via a DVD/CD embark distributed by way of with greatest satisfaction Purchase and unlimited.
Elton John established the Elton John AIDS bottom in the allied States in 1992 and in the synergistic supremacy in 1993. The duty of these Sumof~units organizations is to face innovative HIV Obstruction programs, tackle efforts to getclearof the brand and Distinction associated with HIV/AIDS, and furnish plain worry and withstand services allowing for regarding people living with HIV/AIDS. Collectively, the Sumof~units organizations beinactualpossessionof raised more than $ 220 Athousandthousand since their inauguration, in sponsor of projects in 55 countries nearly the Universe, including Betokening funding dedicated to programs in their Relative relaxed countries.
on the side of more notice on Yamaha artists or the capacious Yamaha yield catalog, desire callupon http://www.yamaha.com/usahome/ .
Jimmy Choo creates line for Elton John AIDS Foundation
http://www.underwear-store.net/uncategorized/jimmy-choo-creates-line-for-elton-john-aids-foundation.htmlJimmy Choo creates line for Elton John AIDS Foundation
,tory burch handbags
Its always great to see a big brand give back, and Jimmy Choo is putting their money where their mouth is with a new limited edition collection in partnership with the Elton John AIDS Foundation. The line, named Project PEP, will send 25% of its proceeds to help fund South Africas Simelela Rape Center. The center is often instrumental in administering patients the preventative medicine that lessens the likelihood that a victim will contract HIV from her attacker, as well as providing psychological services after the fact.The collection itself will feature the collage-like pattern that you see here as a representation of some of the iconic elements that make Jimmy Choo all that it is today. This should look familiar to anyone that involved in punk culture in their formative years the gritty look is a clear take-off of that subculture. It will be printed on coated canvas for the lines bags, clutches and pouches and also used in several types of shoes. Prices will range from around $100 for flip-flops to almost $1000 for a large bag. If you like the pattern or are a Choo fan, this is money you can feel good about spending.
,tory burch handbags
Its always great to see a big brand give back, and Jimmy Choo is putting their money where their mouth is with a new limited edition collection in partnership with the Elton John AIDS Foundation. The line, named Project PEP, will send 25% of its proceeds to help fund South Africas Simelela Rape Center. The center is often instrumental in administering patients the preventative medicine that lessens the likelihood that a victim will contract HIV from her attacker, as well as providing psychological services after the fact.The collection itself will feature the collage-like pattern that you see here as a representation of some of the iconic elements that make Jimmy Choo all that it is today. This should look familiar to anyone that involved in punk culture in their formative years the gritty look is a clear take-off of that subculture. It will be printed on coated canvas for the lines bags, clutches and pouches and also used in several types of shoes. Prices will range from around $100 for flip-flops to almost $1000 for a large bag. If you like the pattern or are a Choo fan, this is money you can feel good about spending.
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