Title translation:
“Elton John” (proper name, untranslated)
“Ez Igy Nem Mehet Tovább” — “This Cannot Go On Like This”
Soerii & Poolek’s song “Elton John” should not be interpreted as a tribute or biographical reference to the British artist Sir Elton John. Instead, the track operates as a conceptual and symbolic use of a globally recognizable pop icon within an indie and electronic music context. The repeated Hungarian phrase “Ez Igy Nem Mehet Tovább” functions as a thematic anchor, contrasting the chaotic, celebratory surface of the song with an underlying sense of rupture or excess reaching its limit.
Soerii & Poolek are a Hungarian music duo formed in Budapest in the late 2000s by Takács Zoltán “Jappán,” a keyboardist and producer known for his work with Heaven Street Seven, and Kovács Geri, a multi-instrumentalist associated with several alternative projects in the Hungarian scene. The duo quickly became known for blending electronic pop, absurdist humor, and performance art aesthetics, often favoring concept and atmosphere over traditional song narratives.
Watch the video below for more context and visual material related to this story:
“Elton John” was released around 2010 as part of the duo’s debut album Ua-Mua, issued by Twelvetones Records. The song was written and composed by the core members of Soerii & Poolek and reflects the aesthetic tendencies of the Eastern European indie pop scene of that period, where irony, abstraction, and exaggerated imagery were frequently employed as artistic tools. The use of the name “Elton John” serves as a cultural symbol rather than a literal subject, evoking fame, spectacle, and pop mythology detached from the real individual behind the name.
Lyrically, the song avoids linear storytelling. Instead, it presents fragmented images related to movement, nightlife, travel, and celebration, creating a sensation of constant motion and controlled chaos. Within this framework, the recurring Hungarian phrase gains particular importance:
Ez így nem mehet tovább
Ez így nem mehet tovább
Translated as “This cannot go on like this,” the line introduces a paradoxical tension. While the music and visuals suggest endless party, excess, and freedom, the lyric implies a breaking point, subtly undermining the apparent euphoria. This contrast reinforces the song’s surreal and ironic tone, suggesting that beneath the surface of pop spectacle lies instability or exhaustion.
The accompanying music video amplifies this concept through a low-budget, performative, and deliberately eccentric visual language. The absence of a traditional storyline aligns with the song’s abstract structure, positioning “Elton John” closer to an audiovisual art piece than to a conventional pop single. Exaggeration, absurdity, and spectacle dominate both sound and image.
Within this broader framework, “Elton John” can be understood as a commentary on pop culture itself. By stripping a famous name of its original identity and pairing it with a phrase that signals collapse or refusal, Soerii & Poolek highlight how celebrity icons can become empty symbols, playful references, or even ironic warnings within contemporary music.
Although the duo never pursued mainstream international chart success, they achieved cult status within Hungary and surrounding regions. Their energetic live performances, theatrical staging, and continued releases into the late 2010s and early 2020s have secured their position as a distinctive voice in Hungarian indie and electronic pop. “Elton John” remains one of their most recognizable tracks, remembered less for commercial impact and more for its conceptual audacity and symbolic use of pop iconography.
Keywords:
Soerii & Poolek, Elton John song, Ez Igy Nem Mehet Tovább, Hungarian indie pop, Eastern European electronic music, pop iconography, surrealism in pop, indie music Hungary
Hashtags:
#SoeriiAndPoolek #EltonJohnSong #EzIgyNemMehetTovabb #HungarianIndie #IndiePop #ElectronicPop #PopIconography #EasternEuropeanMusic #CultIndie
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The First Album of 2010 Arrives Early — Soerii & Poolek Debut One Minute After Midnight on January 1
Soerii & Poolek have shot a music video for Elton John, the hit song from their new album. The clip is directed by Kostil Danila and, in addition to the two main protagonists, features Papp Szabi (Supernem) and seven naked girls, who contribute to the striking and provocative visual experience.
The songs Balaton and Elton John are already familiar, but where exactly should the Soerii & Poolek formation be placed? Most likely, nowhere.
Certainly not within the conventional categories favored by music critics. Takács Zoltán “Jappán”, keyboardist of Heaven Street Seven, and Kovács Geri, teacher and guitarist of A Kutya Vacsorája and the Bootsie Quartet, are stirring emotions with a project that cannot simply be labeled as a joke band.
Having already experienced the world of show business, Jappán and Geri envisioned a unique, swirling show around themselves. At each party they “throw their brains away,” as they put it themselves, letting loose their most raw and unfiltered selves. The duo performs with Németh Juci (Nemjuci), Papp Szabi (Supernem), Szűcs Krisztián (HS7), a juggling dwarf, and topless dancers, using 1970s analog synthesizers and acoustic guitars to create explosive live concerts with a carnival-like atmosphere.
Soerii & Poolek also have a surprise in store for the very first seconds of the New Year.
Soerii & Poolek’s debut album, titled Ua-mua, will be released as the very first album of 2010 worldwide by EMI Music Publishing, on January 1, 2010, at 12:01 a.m. The band will perform the album’s material during a special New Year’s Eve show at the new West-Balkán venue.
6 Unmissable New Year’s Eve and New Year SMS Messages
– zene.hu –
Photo: Judit Arató
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