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Biografia Elton John

Biografia Elton John
A trajetória da carreira de Elton John em capitulos

slideshow - MUTE , No sound

quinta-feira, 24 de fevereiro de 2011

Curtains: Elton John and Me

Estamos divulgando o blog de nossa associada ANA, companheira nossa desde 1984 quando realizava nosso fanzine.

Parabens pelo trabalho, Ana

Robson

http://curtainseltonjohnandme.blogspot.com/

Curtains: Elton John and Me

Uma narrativa da minha vida tendo Elton John e sua obra como trilha sonora. Meu objetivo é falar dessa relação até o momento de seu show no Rock in Rio de 2011, ao qual com certeza vou... With a little help from my friends

quinta-feira, 24 de fevereiro de 2011


MUST BE THE CLOUDS IN MY EYES...



Televisão preto e branco. São Paulo, anos 70, uma menina franzina, com asma e bronquite, num apartamento apertado com a mãe, esperando o pai chegar de algum lugar, de boca aberta na frente da televisão... Parecia noite.

Ela abraça as pernas, queixo quase ao joelho magro, nem pisca! A mãe fala, ela nem ouve... O coração dela dói, bem no meio do peito, mas não é da asma, nem da bronquite. O nó na garganta sobe, mas mesmo muito criança ainda ela se auto critica se perguntando, "por que chora, sua boba?". Ela não sabe a resposta... E enquanto os olhos se enchem d'água, paradoxalmente um deslumbramento de coisa feliz sobe junto com aquela dor gostosa.

Acompanha cada gesto, cada palavra incompreensível, cada expressão facial daquela figura exótica, mas triste, aquela voz tão diferente, o toque do piano que saía tão facilmente daqueles dedos rechunchudos...

Lembra-se que seu sonho era falar inglês igual aquele homem do piano. Fingia um "gibberish" sozinha, como se estivesse falando a língua. E fingia cantar igual a ele.

Hoje ela ainda tem essa lembrança como a primeira memória do ídolo que a acompanha desde sempre. Acho que música em questão era "Goodbye yellow brick road" ou "Skyline pigeon".  Depois até o veria de novo no programa Muppet Show cantando "Crocodile rock" e não esqueceria o nome dele jamais! Porém, é desse primiero "encontro" que começa  a composição de uma sinfonia ad infinitum que será sua trilha sonora ao longo da vida. Uma co-autoria não reconhecida: o autor compõe, toca e canta coisas que ela imaginou bem antes e nem sabia que podiam ser expressas. E ele nem a conhece...

"And I'd have liked to know you, but I was just a kid..."

Quem sou eu

Minha foto
Livre, espontânea, sincera. Estudiosa, espiritualista, amigável. Professora de Inglês, Espanhol, Português. Também de Literaturas e Cinema. Instrutora e performer de Dança do Ventre e Tribal.

In conversation: David Furnish

In conversation: David Furnish

http://www2.macleans.ca/2011/02/24/on-life-with-elton-john-and-who-surprise-baby-zacharys-godmother-might-be/

On life with Elton John and who (surprise!) baby Zachary’s godmother might be
On life with Elton John and who (surprise!) baby Zachary's godmother might be
Michael Tran/Film Magic/Getty Images
Producer David Furnish and Elton John became parents of a new baby on Christmas Day. Furnish’s latest movie is a retelling of Romeo and Juliet featuring garden gnomes.
Q: Your producing portfolio is quite diverse. In 1999 you produced Women Talking Dirty, in 2005 you produced the Broadway version of Billy Elliot and, most recently, you produced your first animated feature Gnomeo & Juliet. What common thread runs through all your projects?

A: I hope a thread that promotes inclusiveness. When Elton and I work on things, we want to invest our time, creativity and energy in things that hopefully bring the world closer together, not further apart. If you look at Gnomeo & Juliet, the movie’s message essentially says it doesn’t matter if you’re a “red” or a “blue,” at the end of the day, parents should love their children and want what’s best for them. Elton and I try not to be judgmental people. We are not advocates in the placard-carrying way, we just try to live our life by example.
Q: Do you think Gnomeo & Juliet‘s anti-war message is something children should learn about at an early age?

A: I do. We live in a confused world at the moment. It’s a world that seems to be less about tolerance and less about togetherness. People seem to be more and more divided. There is such [debate] over civil rights for all couples and [laws surrounding] people just wanting to have marriage or some form of civil union to ratify their relationship. Many seem to be tarring a lot of Muslims with the same brush. What’s happening in terms of terrorism has been such a tiny sect of extreme people within a religion. I think people get fearful of things they don’t know or understand. Out of ignorance and fear comes judgment and division.

Q: Gnomeo & Juliet has already made over $55 million at the box office. Did you think it would be this successful when you signed on?

A: It’s just nice to be in a situation after 11 years where we can see it finally find its wings and people are responding. It’s a big dream come true.
Q: In 1997, you directed a documentary about Elton John called Tantrums & Tiaras. Elton fans keep asking for a sequel. Would you consider making one?

A: I had a whole layer of objectivity then that I don’t know if I can bring to our world anymore. There has been such evolution and growth in both of us since that was made. I don’t think it will be entertaining anymore because Elton is much more settled, happier and more centred. Having Zack has been another step in our evolution and a grounding influence for both of us.
Q: Speaking of Zachary, what was your first reaction to the news that a Harps grocery store in Arkansas decided to place a family shield protective cover over the Us Weekly magazine that you, Zachary and Elton posed for?

A: I was disappointed but not outraged. They put the shield up and two days later, they took it down. That is progress in its own right.
Q: What do you think needs to happen for the majority of Republicans to accept gay families?

A: People have to realize that these issues take time and this is a new concept and the world is not going to change overnight. As far as Elton and I are concerned, we try to be good people, we are going to try our best to be good parents. People will realize the sky is not going to fall because we have a son.
Q: Have you felt a lot of support from home?

A: I’m always very proud when people ask me about being a Canadian. I know when [Stephen Harper] was elected he talked about repealing gay marriage—legislation that was already passed in Canada. When it went to the House of Commons, more people voted to keep it than put it in in the first place. That is a sign of society taking a step, walking into unknown territory and realizing that this isn’t going to be the destruction of the moral fabric of our society. This isn’t going to hurt or kill anybody. I believe that collectively we are all stronger. People in relationships are stronger—same thing goes for family units.
Q: Elton has recently been quoted as saying that he feels like a second-class citizen in America because of his sexuality.

A: I think Elton was aiming that at people who judge him on the basis of his sexuality and those who try not to acknowledge that he, I or our son deserves equal rights. That’s when he feels like a second-class citizen. I do feel Canada is much more progressive and more accepting on all sorts of levels relating to same-sex couples and families. Elton loves America, we have homes here, the country has been good to him—there is a whole side of America where he feels like a first-class citizen. It’s just when a certain segment of society tries to beat us up with things like putting a [family shield] over Us magazine that makes you feel like a second-class citizen.
Q: Did becoming a godfather to Elizabeth Hurley’s son and being around Elton’s godchildren—Victoria and David Beckham’s three boys—help motivate you to be a father?

A: It all went into the pot [laughs]. I’ve always loved children and having godchildren added to that. I had a very happy upbringing, two very loving parents and great brothers. My brothers went on to have families of their own. It was always a big dream of mine and something Elton was less familiar with since he was an only child.
Coming from a broken home, his perspective was a little different than mine. [Especially] the joy and beauty of what a family could be—in all of its shapes and sizes. I think with Elton, the lightning struck when he walked into the orphanage and saw that little boy [Lev, an HIV-positive Ukrainian toddler], who is now fortunately going to be adopted. The disappointment we had with not adopting him was profound but it did start something in Elton that led us down the path we are on today. We couldn’t be happier with how things ended up.
Q: Correct me if I’m wrong but Lady Gaga has been named Zachary’s godmother. What led you to choose her?

A: We haven’t publicly confirmed that yet but your sources are very good! I prefer not to comment on it because we are going to make a statement about godparents later on.
Q: Do you believe Lady Gaga has the potential to influence today’s generation in the same way Madonna and Elton have?

A: Absolutely. The strongest thing that Gaga has—putting her amazing musical talent aside—is that she has such a connection with her fans. She has 25 million followers on Facebook and she communicates to fans [via] Twitter in a regular, ongoing way.
Q: Her knowledge of civil and human rights is impressive. What do you think about the type of messages she sends out to her fans?

A: She’s all about inclusiveness and tolerance. She believes that you can be whoever you want to be and that we don’t have to live in a world of conformity and that we can all [benefit] from individuality. That’s the best message in the world. The freedom to be who you are, do what you want and love who you want to love.
Q: And you’d like that kind of message to be around your family?

A: Absolutely. Elton and I don’t talk about what we hope Zachary grows up to be—musician, doctor or whatever. We just hope he grows up to be happy and that he’s able to do what he wants to do in life and has the freedom to take whatever path.
Q: Many people associate you with the success of the White Tie and Tiara ball since you are a key board member of the Elton John AIDS Foundation. Is it true you start planning the next ball a week after the last one is held?

A: We do. The landscape is very competitive in fundraising so we go through [a rundown of] what worked at the event the week right after—the decor, food, ambiance, entertainment, pace and even flowers. When we started White Tie we were the first event of that scale. No one had charged 1,000 pounds a ticket. There’s now a lot of people who have followed our lead so we have to stay on our toes and offer the best experience.
Q: In an early magazine profile, you were called “the musical inspiration and the deciding vote” in your marriage. Is that true?

A: No. Elton doesn’t need inspiration where music is concerned. I like to think of our marriage as a democracy. Sometimes it goes my way, sometimes his. If all is going well, it goes both our ways. Elton’s musical prowess is enormous. Just look at his latest record with Leon Russell. I didn’t tell him to pick up the phone and call Leon, that was his decision.
Q: Are there any songs Elton has recorded that are about you?

A: The only song he ever referred to is called My Elusive Drug. When he wrote it at the time, he said, “This is about you.” The lyrics [speak] to how I was something Elton was looking for all his life and how it took a while for him to find me. The song also [implies] that when he did find [me], he was grateful.
Q: What’s next in terms of producing projects?

A: I’m taking six months off because we have a new son and Gnomeo & Juliet was a long process. All I’m thinking about is making sure Elton, Zachary and I are together as much as possible, so we’ll be on the road with [Elton]. Now that we have a son together, I want us to spend more time together and I don’t want Elton to miss out.
Q: Are you thinking of bringing Elton and Zachary to your parents’ place in Scarborough, Ont?

A: Yes, I think it’s time. Elton hasn’t been yet and he needs to see where I grew up because I’ve been where he’s grown up.


THE RUNDOWN | The Rocket Man meets the Nike Man

http://media.www.lcctorch.com/media/storage/paper1259/news/2011/02/24/Features
/The-Rundown.The.Rocket.Man.Meets.The.Nike.Man-3980372.shtml
http://media.collegepublisher.com/media/paper1259/stills/6vcvmu4t.jpg

Lisa Ball

Issue date: 2/24/11 Section: Features



What do you get when you mix one of the top artists in the world with one of the nation's newest arenas?

A great time had by all. Music that moves you. Smiles on every face.

That was the scene at last Thursday's Elton John concert at the Matthew Knight Arena. Sir Elton's first show in the U.S. on this tour - after two shows in British Columbia - sold out in a couple of hours. It's clear that the rocket man has an audience that spans generations.

And for nearly 3 hours he did not disappoint.

With a band that includes many longtime members - Davey Johnstone on guitar and Nigel Olsson on drums - and a gift for songwriting and delivery in a live setting, John is still one of the best ever.

The Matt Smith Knight Arena will surely prove to be a great place to see a show like the one on Thursday night. The arena is about a third the size of the Rose Garden, and seats 12,541. It seems there are no bad seats.

Our tickets were in the "obscured view" area, the sound was great there, and you could see some of the stage quite well. The only problem seems to be the parking, and there could be quite a protest from the neighborhood to come.

John's timeless songs were performed with energy and he had a great connection with the crowd, who sung, smiled, cried and hugged one another throughout the show.

The top songs were "Rocket Man," "Madman Across the Water" and "Bennie and the Jets". The lighting was well-orchestrated with some LED screens and live video providing imagery of the band and other whimsical animations. John's energy seemed quite youthful, possibly renewed with the recent birth of a son, Zachary. He seemed to thrive on the audience's cheers and applause.

With a top crew of players and nationally renowned sound and light people, and an act that hasn't changed much over the past 10 years, Elton's show is polished to provide maximum enjoyment for the crowd. Though he's no longer going glam with his costumes, he still has a good sense of the colorful in his stage design.

His best talent is the timeless beauty of his songwriting and the singing of the tunes he has co-written over the years with Bernie Taupin.

These take on a life of their own and do not seem "old."

The crowd was on cloud nine Thursday night, enjoying an old friend in a new venue that will surely be appreciated for many years to come.

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